Datableeding An Electroduction

1
anE/n/d
2
ELECTRODUCTION


a triptych
phonetic allusions
mysticism of the voice
letter /to the/ stars
3
'bleed' was first an intrasitive verb (without an object), then acquired a transitive form: 'to bleed someone or something'. But the first object to be bled was the body, then engines
4
'bleed' was first an intrasitive verb (without an object), then acquired a transitive form: 'to bleed someone or something'. But the first object to be bled was the body, then engines
terms that connote pain _d.t.]h![bleedein
5
Once up/down/on/under a time,
/me

[W]][w]ord /ar Machine


terms that connote pain _d.t.]h![bleedein
Realign your constructs.
Spaces are created.
fl.ow]![ N sparke N gleane.]
6
Once up/down/on/under a time, /me




terms that connote pain _d.t.]h![bleedein
Realign your constructs.
Spaces are created.
fl.ow]![ N sparke N gleane.]
7
marking a movement of language toward its extremes, toward a reversible beyond or before. this dialogue is riddled, troubled
How to convince the nodes of their existence/resistance?....comprehension critical/crucial.]
8
A Clue insert for you: some of the square bracket sets are backward. Some are set in a triptych, bracketing a meaning insert.
9
Once up/down/on/under a time,
/me

[[W][w]ord/war] Machine


terms that connote pain _d.t.]h![bleedein
Realign your constructs.
Spaces are created.
fl.ow]![ N sparke N gleane.]
10
had to stop for a second (just a 2nd second!).
11
DNA is just the bar code of the soul





The rhythm broken.





_d.t.]h![bleedein::

continuous incapability of languages expressivity




The rhythm broken\\the data-traffic lost
 
13
[marks Amerika here , A Clue insert for you: some of the square bracket sets are backward. Some are set in a triptych, bracketing a meaning insert. Phonetics are employed. Spaces are created. Realign your constructs. Flow and spark and glean.]
14
Marking a movement of language toward its extremes , toward the reversible beyond or before
15
[[<<]#include <dgstream>
using namespaceantiO
signifier = despot
that are interior to words
16
marks of the poverty of a language
The rhythm broken\\the data-traffic lost
  
19

.

________ _____________ . _ . . ........ . ........

_d.t.]h![bleedein::eLectro.duct.ion_
20
continuous incapability of languages expressivity
21
I could no longer tell the difference between hallucinating and being on-line.)
22
.

1ce up]dwn[on]under[ a]h![time, /me wroTe a lettah 2
the starrs. thiz lettah contained all the available data]h![ on TTT ]Textual Time Travel[. TTT iz a product of that L-lusive new mind.set[i], the ]time[m]achined[ezangelled way of thinking ]out.n.proude.loude[, produc]e N woole N earthe[ing, ]wo[man.i]n[festing.
23
(TTT
24
ecriture = regional dialect
phonetic illusions
Blackpool Hallucinations
25

.

/me had t. st.ppe 4 a sec ]juzt a sec![.
26
had t. st.ppe 4 a sec ]juzt a sec![.





back after i finish
[ a]h![time, /me wroTe a lettah 2
27
/me waits/me waits
regurgitating everything ][please][
28
[Brendan Byrne , a clue n-sert 4 u: sum ov the squ.re brackettez setz r backward]inge off e-vil]e[]. Some are set in a triptych, b.racket.ing a m][l][eaning insert. phonetic-tocks r m]de[]ployed[. spaces r created. re.aline yr construcktz. fl.ow]![ N sparke N gleane.]


________ _____________ . _ . . ........ . ........

29
On the contrary, the feat of The Unknown is how small it actually is.
30
re.aline yr construcktz. fl.ow]![marks [ELEKTRA] here ,

Phonetics are employed. Spaces are created.

/me had t. st.ppe 4 a sec ]juzt a sec![.
31


[Meaning code: this dialogue is riddled, troubled; no multilogues exist here to assist it, make it a true network log or decipherable text. Try and muddle on anyway, magdul . N means "and", or "in". "r" means "and" or "are", etc. Reading out-loud may help validate the phonetic allusions. Posthoc reasoning will not help comprehension. Read that first paragraph again.]


________ _____________ . _ . . ........ . .......


32
What to do with Datableeding? I have the idea that the illusion of an audible voice - reading out-loud may help validate the phonetic allusions - does call for the possiblity of a collapse of meaining, for a brief moment within language, where language is comprehending nothing - though nothing would still be something, it would still direct language - and thus allowing for an indistinction that as well could withdraw the distinction the machinic thinking suffers from (and can not quite suffer). Alike with the so called minor literature grammar becoming agrammatical, for the pure possibility of another expressivity. An image of humanity - and that might be a residue of romanticism, poetics of the fragment - is that sense of respiration within language, that might come to the fore in being intensified through the continuous invoking of languages incapability to express.
 
34


/me waits, wanting the n.des to catch on/up, comprehending nothing, regurgitating everything
][please][
/me had thoughts uncoded by the sanctity of the network. The sanctity was profound, the data-traffic lost. The rhythm broken. How to convince the nodes of their existence/resistance?


[Clue insert:You, your name here , dear c.-auth.r and reader, are the nodepoint. The point in the fluid. The point that flows between, behind, before....comprehension critical/crucial.]
35
minor literature a[gramm]a


another ex}pressivity





.





so[long] as iy creates something else





<<<
One could equally cite the accents
DNA, ASCII, what's the difference
that are interior to words