Script


1
force fall and nice catch in order to please
2
that echoes like a metallic shout in an alley of the mind don't think twice don't think twice don't think twice
3
He's charging these words with the bitterest twists, bending and dragging them, winding vowels round his throat, spitting syllables like darts of poison. The drum machine's programmed for eternity; like a piston, it goes on hissing and revolving, tunring and driving, too high to get over, too low to get under. You're carried, you can't escape, you're ripped by the voice's current. And it won't stop 'til you've got enough.
Barney Hoskyns
4
out of voice, turning round on the ground. I am out just in again voice. I am a just in again out again voice.
out of the voice
5
this realm of fantasy
something that resonated with "everybody"
that controlled transformation
of the pinoccio-like puppet that being becoming videoflesh
an intense activity concentrated within one place
voice
the vehicle of fantasy
charging these words
ceaselessly in circles
his own responses to his voice are incorporated
spitting syllables
 
7
I said don't mind, but what do you mean I am the one charging these words with bitter twists,
turning round, on the floor in the ground bending dragging me, winding me round to the ground to the sound
8
To be honest, I guess you could say that it hurts to be me. Like, I don't remember not performing. But I guess that is part of the work. A lot of people misunderstand me. Because they don't know me. But in the film I don't die of course. Cartoons are unlimited. And when you're unlimited, it's the ultimate.
 
10
Details
Start : stop : throw away :
Come back : the same but different : and continue :

To lock it up : I mean the respiration
To go through something by force and release
Maybe the connection is there

Rupture in time
 
12
-
13
There was a kind of crack or a rupture, something absolutely inimitable in the way it was inscribed in Michael Jacksons own body, and proliferated throughout that bodys performance. But balanced on the edge in this way, always just short of collapse.
 
15
In between force and fluidity where is the balance/the combination that could feel right and provoke the detail,
Well I am looking for the accident that makes the difference